I compose both acoustic music and electronic music, especially for the electric guitar with digital processing.
Videos can be seen on the “Videos” page. Some audio recordings:
Electric Guitar (self-performed):
2021 album Electric Currents:
Ripples and Refractions, a two-piece EP for solo electric guitar with real-time looping and processing, on the melodic side, available for purchase via Bandcamp (2015):
Three movements from my 2011 dissertation –
“Tension and Extension”, for prepared electric guitar (with no processing),
“Three of Jacks”, a digital piece created with classical guitar samples,
“Send Me a Signal”, for live solo electric guitar with signal processing:
Classical Guitar (self-performed):
Dissociation, an octatonic fugue for classical guitar (composed 2014, recorded 2017):
Acoustic Compositions (other performers):
Warp, a classical guitar duo focused on the sound of harmonics, particularly the fifth one; performed by Adam Cicchillitti and Steve Cowan (composed 2018, recorded 2019):
Diminished but Returning, for string quartet (performed by Madawaska String Quartet, 2006):
Eight in Five, a fugue for piano (perf. Chris Goddard and Penny Johnson, composed 2012, recordings 2013-2014)
The Anger Loop, for soprano (perf. Sarah Albu, 2015)
Deadlines and Intersections, for violin and prepared piano (2014):
Turning Untrustworthy, a miniature for piano (perf. Julia den Boer, 2008)
Electronic (sequenced):
Microtonal synthesizer drone piece from 2000:
Arrangements:
Multitracked electric guitar/bass arrangement of an excerpt for Schubert’s Piano Sonata in Bb, commissioned for the podcast The Akerman Year (2021) (https://open.spotify.com/show/00BFDrhXhoLMEZI0MEmJdQ?si=0b4db4860dbd4c0b):
Solo electric guitar/live electronics arrangement of Wayne Shorter’s “Footprints” (2023):