The updated, ad-free version of this site has now been registered for its own domain at: https://sundarsubramanianmusic.com
I have finally shelled out and upgraded my WordPress plan. You will no longer be subjected to ads when you visit!
I just recently found some reviews from February of this year. Surprisingly, Owen Maxwell of Ottawa Life Magazine positively reviewed the 1996 tape by my teenage screamo/lo-fi/noise-rock band the Skies Beg to Differ as a new release.
Kevin Jagernauth’s summary: Well, it took 22 years, but the first thing I ever recorded and released into the world — The Skies Beg To Differ debut album — has finally been reviewed, somehow, as a new release (thanks Bandcamp algorithms I guess?).
As you might guess by the name, we were very Earnest and had Feelings and quite an unruly amalgam of influences.
The first out of town show I ever played was with these dudes, in Pembroke. My Dad drove us. Jeff Miller (who was the lead vocalist, not me, as it suggests in this review) wonderfully recounts the jaunt in his book “Ghost Pine.”
Mostly, I’m pretty pleased to read something I’ve played on described with the words “guttural blues-scream.”
Also, Jonathan Blumhofer of Arts Fuse reviewed the Hub New Music concert from Clark. He was not entirely convinced by my piece Songs of Friction but I appreciate that he listened closely and critically.
I just received word from Ottawa New Music Creators that I was selected to compose a piece for an upcoming concert by the Cowan-Cicchillitti Guitar Duo. The concert will take place on October 13 at a location that has yet to be determined.
A lot of students are saving their work for release on their own pages or via other services but I’m proud to share two pieces from Dylan Tovey’s MUSC270 (Senior Computer Music Tutorial) portfolio:
From MUSC142 (Recording Practice and Audio Art), Ethan Moncur’s “Don’t Talk”:
I put together this short Youtube playlist of my guitar/laptop performances from Ottawa and Edmonton in Spring 2018.
Here is the proposal that Melvin Backstrom and I submitted to the Society for Music Theory that was accepted for the November conference in San Antonio – “The Grateful Dead’s ‘Blues for Allah’: Syncretic Composition in Mid-1970s Rock Music”. This includes the abstract and supplementary diagrams.