Author Archives: sundarsubramanianmusic

Playing in the Dark

I tried playing classical guitar in the dark when the power went out on Friday (for four freaking hours!). It took a fair bit of practice and adjustment but once I was in the zone, I did ok with the Bach E minor Bourée and E major Gavotte en rondeaux and Villa-Lobos Etude 1 (all from memory of course since I couldn’t read sheet music in the dark).

The main surprising thing was that it wasn’t much harder to make jumps on the fretboard – while my reflex is to look at my left hand and unconsciously tense up a bit when I need to do this, I seem to have enough of a physical sense for where fret positions are that it’s unnecessary; when playing the next day, I was able to do this with greater relaxation. Some teachers encourage blindfolded practice as a practising technique and I can see why – it allows you to learn how much you can trust muscle memory.

Favourite Recordings of 2025

31 albums and 6 EPs/singles of 2025, listed alphabetically

Agriculture – The Spiritual Sound (avant-garde black metal)

A Carnatic Quartet – Sound of ACQ, Volume 1 (Carnatic)

Nels Cline – Consentrik Quartet (modern jazz guitar)

Cryptopsy – An Insatiable Violence (technical death metal)

Dave Douglas – Alloy (contemporary jazz – trumpet trio + rhythm section)

Drainolith – Macbeth (avant-garage)

Roddy Ellias and Matt Warnock – St. Mary’s Sunrise (improvised jazz guitar duos and solos)

Mahan Esfahani/J. S. Bach – The Well-Tempered Clavier, Vol. 1 (harpsichord in historical temperament)

Mary Halvorson – About Ghosts (modern jazz – guitar-led ensemble)

Klaus Lang/Wolfgang Kogert/Wiener Symphoniker/Peter Rundel – tonendes licht. (contemporary classical organ concerto)

Horse Lords & Arnold Dreyblatt – FRKWAYS, Vol. 18: Extended Field (minimalism)

Liza Lim – String Creatures (avant-garde string composition)

Marc-Étienne Leclerc – La guitare dans toutes ses couleurs (classical guitar)

Joseph Marchand – Treize miniatures (indie/folk/classical guitar intersection)

Messa – The Spin (hard rock/doom metal)

The New Eves – The New Eve Is Rising (art-punk)

Jason Noble and Steve Cowan – One Foot in the Past (Newfoundland field recordings and classical guitar)

Orcutt Shelley Miller – Orcutt Shelley Miller (instrumental noise-rock)

Paal Nilssen-Love Circus with The Ex Guitars – Turn Thy Loose (free jazz)

Plosivs – Yell at Cloud (indie/math-rock)

Propagandhi – At Peace (punk/hard rock)

Jeremias Schwarzer – New Recorder Concertos (contemporary classical)

Noura Mint Seymali – Yenbett (Mauritanian psych)

Ches Smith – Clone Row (modern guitar-led jazz)

Swimming – Old (Midwest emo/math rock from the East Coast)

Totorro – Sofa So Good (instrumental math rock)

André Villeneuve/Steve Cowan – Viscontian Pieces (contemporary classical guitar)

Raphael Weinroth-Browne – Lifeblood (post-classical cello/looper)

Steven Wilson – The Overview (contemporary progressive/space-rock)

Billy Woods – GOLLIWOG (alternative hip-hop)

Ella Zirina – Boundless Blue, Sunset Hue (modern jazz guitar)

EPs and Singles:

Maddie Ashman – i hate goodbyes (acoustic version) (art-folk)

Maddie Ashman – otherworld

DellaXOZ – UnHinged (emo-pop with tapping)

Ben Diamond – Terra Nova (contemporary folk-influenced classical guitar)

Emma Harner – Taking My Side (Live from Meg’s House) (math-folk)

Mark Kleinhaut – Have You Seen Miss Jones? (solo jazz guitar)

Music Theory Musings: Just Intonation and Just Feeling It

The other day, I tuned by ear, playing an E major chord. I double checked with Cleartune afterwards – basically all the strings were in tune relative to each other, within a few cents, but the G string was flat, by between 10 and 15 cents. I realized it was because I had tuned a G# on that string to be a major third above E and I had intuitively tuned to a just major third. First time I’d ever consciously experienced just intonation as intuitive/natural in that way.

Tonight’s gig rescheduled

Tonight’s gig at the Jumping Bean Café has been rescheduled to Jan 2. My upcoming St. John’s gigs, then are:

Dec 20, 8 pm Spirit Music Bar, 164 Water St., with Ben Diamond; jam afterwards, $10
Jan 2, 6:30 pm Jumping Bean Café, Elizabeth St.
Jan 23, 6:30 pm Jumping Bean Café, Elizabeth St.
Feb 19, 9 pm, The Ship Pub, Duckworth St., hosting Night Music; jam afterwards, $10

Mention in The Techniques of E-Guitar Playing

Much thanks to Seth Josel and Michelle Lou for including a reference to Tension and Extension in their incredible new compendium of electric guitar techniques The Techniques of E-Guitar Playing on Bärenreiter. https://www.barenreiter.us/products/the-techniques-of-e-guitar-playing-barenreiter
(providing a link to Bärenreiter’s American site since it seems to be the easiest way for Canadians to order a copy)

New Music

I’ve added a number of new pieces to the “Media – Guitar Performance” page: versions of Ellington’s “Cottontail”, “My Funny Valentine” and “Have You Met Miss Jones” by Rodgers and Hart, and a solo guitar version of Sonic Youth’s “The Diamond Sea”.

Here are some links.