I recorded a three-track demo EP as part of the RPM Challenge, a teaser ahead of the full album to come later this year
Author Archives: sundarsubramanianmusic
Playing in the Dark
I tried playing classical guitar in the dark when the power went out on Friday (for four freaking hours!). It took a fair bit of practice and adjustment but once I was in the zone, I did ok with the Bach E minor Bourée and E major Gavotte en rondeaux and Villa-Lobos Etude 1 (all from memory of course since I couldn’t read sheet music in the dark).
The main surprising thing was that it wasn’t much harder to make jumps on the fretboard – while my reflex is to look at my left hand and unconsciously tense up a bit when I need to do this, I seem to have enough of a physical sense for where fret positions are that it’s unnecessary; when playing the next day, I was able to do this with greater relaxation. Some teachers encourage blindfolded practice as a practising technique and I can see why – it allows you to learn how much you can trust muscle memory.
Gig: Feb 19, The Ship Pub
Looking forward to hosting Night Music Feb 19, 9:30 pm at the Ship Pub on Duckworth St. in St. John’s

Favourite Recordings of 2025
31 albums and 6 EPs/singles of 2025, listed alphabetically
Agriculture – The Spiritual Sound (avant-garde black metal)
A Carnatic Quartet – Sound of ACQ, Volume 1 (Carnatic)
Nels Cline – Consentrik Quartet (modern jazz guitar)
Cryptopsy – An Insatiable Violence (technical death metal)
Dave Douglas – Alloy (contemporary jazz – trumpet trio + rhythm section)
Drainolith – Macbeth (avant-garage)
Roddy Ellias and Matt Warnock – St. Mary’s Sunrise (improvised jazz guitar duos and solos)
Mahan Esfahani/J. S. Bach – The Well-Tempered Clavier, Vol. 1 (harpsichord in historical temperament)
Mary Halvorson – About Ghosts (modern jazz – guitar-led ensemble)
Klaus Lang/Wolfgang Kogert/Wiener Symphoniker/Peter Rundel – tonendes licht. (contemporary classical organ concerto)
Horse Lords & Arnold Dreyblatt – FRKWAYS, Vol. 18: Extended Field (minimalism)
Liza Lim – String Creatures (avant-garde string composition)
Marc-Étienne Leclerc – La guitare dans toutes ses couleurs (classical guitar)
Joseph Marchand – Treize miniatures (indie/folk/classical guitar intersection)
Messa – The Spin (hard rock/doom metal)
The New Eves – The New Eve Is Rising (art-punk)
Jason Noble and Steve Cowan – One Foot in the Past (Newfoundland field recordings and classical guitar)
Orcutt Shelley Miller – Orcutt Shelley Miller (instrumental noise-rock)
Paal Nilssen-Love Circus with The Ex Guitars – Turn Thy Loose (free jazz)
Plosivs – Yell at Cloud (indie/math-rock)
Propagandhi – At Peace (punk/hard rock)
Jeremias Schwarzer – New Recorder Concertos (contemporary classical)
Noura Mint Seymali – Yenbett (Mauritanian psych)
Ches Smith – Clone Row (modern guitar-led jazz)
Swimming – Old (Midwest emo/math rock from the East Coast)
Totorro – Sofa So Good (instrumental math rock)
André Villeneuve/Steve Cowan – Viscontian Pieces (contemporary classical guitar)
Raphael Weinroth-Browne – Lifeblood (post-classical cello/looper)
Steven Wilson – The Overview (contemporary progressive/space-rock)
Billy Woods – GOLLIWOG (alternative hip-hop)
Ella Zirina – Boundless Blue, Sunset Hue (modern jazz guitar)
EPs and Singles:
Maddie Ashman – i hate goodbyes (acoustic version) (art-folk)
Maddie Ashman – otherworld
DellaXOZ – UnHinged (emo-pop with tapping)
Ben Diamond – Terra Nova (contemporary folk-influenced classical guitar)
Emma Harner – Taking My Side (Live from Meg’s House) (math-folk)
Mark Kleinhaut – Have You Seen Miss Jones? (solo jazz guitar)
Music Theory Musings: Just Intonation and Just Feeling It
The other day, I tuned by ear, playing an E major chord. I double checked with Cleartune afterwards – basically all the strings were in tune relative to each other, within a few cents, but the G string was flat, by between 10 and 15 cents. I realized it was because I had tuned a G# on that string to be a major third above E and I had intuitively tuned to a just major third. First time I’d ever consciously experienced just intonation as intuitive/natural in that way.
Merry Christmas Mr Lawrence
Here’s a solo guitar arrangement of the Ryuichi Sakomoto classic
Tonight’s gig rescheduled
Tonight’s gig at the Jumping Bean Café has been rescheduled to Jan 2. My upcoming St. John’s gigs, then are:
Dec 20, 8 pm Spirit Music Bar, 164 Water St., with Ben Diamond; jam afterwards, $10
Jan 2, 6:30 pm Jumping Bean Café, Elizabeth St.
Jan 23, 6:30 pm Jumping Bean Café, Elizabeth St.
Feb 19, 9 pm, The Ship Pub, Duckworth St., hosting Night Music; jam afterwards, $10
Mention in The Techniques of E-Guitar Playing
Much thanks to Seth Josel and Michelle Lou for including a reference to Tension and Extension in their incredible new compendium of electric guitar techniques The Techniques of E-Guitar Playing on Bärenreiter. https://www.barenreiter.us/products/the-techniques-of-e-guitar-playing-barenreiter
(providing a link to Bärenreiter’s American site since it seems to be the easiest way for Canadians to order a copy)

Upcoming Gigs in St. John’s
Nov 21: Jumping Bean Cafe, Elizabeth St., 6:30-8:30
Dec 20: Spirit Music Bar, 164 Water St., with Ben Diamond
Jan 23: Jumping Bean Cafe, Elizabeth St., 6:30-8:30
Feb 19, Night Music, The Ship Pub
Thank you, Echo Chamber
Thanks to CKCU’s Echo Chamber for playing my version of “The Diamond Sea” this week (right before the original!) and to listeners for your enthusiastic response. Playlist and audio here: https://cod.ckcufm.com/programs/653/72725.html#